Qi (Chi) in James Cameron's Avatar
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2010, Vol. 2 No. 10 | Page 1 of 2 | » A nine-foot-tall, royal blue giant creeps low to the ground, brushing by exotic foliage. He holds a proportionally large bow and arrow in hand. In an instant he pauses, keeping entirely still, before loading an arrow into his weapon. He pulls back steadily, locking his arm tightly behind his shoulder. He breathes in, holds, and releases. The arrow glides through the hollow air before burying itself in the chest of a six-legged beast. The giant leaps up and rushes to his prey, dragging a dagger across its throat as he offers a brief prayer in a foreign tongue: “I see you Brother, and thank you. Your spirit goes with Eywa, your body stays behind to become part of the People” (Cameron 66).
Self-CultivationThe Na’vi have a deeply spiritual connection to the energy of each other and the world around them. In their society, great emphasis is placed on cultivating this energy to become “one with Eywa,” to become more in tune with nature, wisdom, and humanity. A trained member of the society will have an acute sense of the flowing energy that unites all things. Wisdom is attained not only through meditation and observation of the cosmos, but also through physical training. The goal is to center one’s energy with the flow of Eywa. A truly wise Na’vi fully in tune with this flow earns the title Tsa’hik and is revered as a spiritual guide.
The practice of self-cultivation in the Na’vi culture is likely derived from similar principles in Neo-Confucianism. The Tsa’hik title is analogous with the Chinese sage, a wise, deeply philosophical spiritual guide. Adler’s description of the essential understanding of qi prescribed by Zhu for sagehood further exemplifies the presence of qi in the Na’vi way: In his system, [Zhu] is emphasizing here the crucial linkage between the metaphysical principle of li - the single order that incorporates both the natural order (tianli) and the moral order (daoli) - and the phenomenal world constituted by qi in all its forms. The significance of this linkage […] is that it provides access by the functioning human mind (xin), which is also a form of qi, to the inherent goodness of human nature (xing), which is the principle (li) of being human. […] “Spirit" (shen) plays a significant role in this process. (8)
To be a sage, Adler suggests, one must cultivate a sense of connection with both the humanity that defines us as a people and the qi which connects us to the rest of the world. This qi acts as a metaphysical bridge between the human mind, human nature, and the collective flow of energy. One who is declared a sage in the Chinese tradition would clearly also be counted as a Tsa’hik in Na’vi culture, as the criteria for each overlap almost precisely. Like Na’vi warriors seeking spiritual enlightenment, students of Chinese philosophy “rely on the wisdom of the sages recorded in the Classics” to tap into their special linkage with qi (Adler 9). Self-cultivation of qi, however, does not end with relying on the texts of the sages.
NatureThe Na’vi people have not only a physical, but also a deeply spiritual relationship with the land of their home planet. The unity they feel with the forest is, in large part, due to the flowing energy that they sense between themselves, the flora, and the fauna of their habitat. They devote hours to meditating among the sacred trees, observing the beauty of nature, connecting with spirits, and channeling the flow of Eywa.
In order to become more in tune with qi, one must, much like in the lore of Avatar, explore the world exterior to oneself. Self-cultivation does not only take place within, but also comes from the energy of the outside world – in the case of the Na’vi, from the forest. According to Adler, Zhu Xi and Cheng Yi predicated that “it is […] easier to perceive the underlying order [of qi] outside oneself, in nature, human affairs, and books” (9). The Na’vi emphasis on finding Eywa in the natural world and in the traditions of other tribes complements the Chinese emphasis on finding the “underlying order” qi in nature and in the graces of other people. Based on the Na’vi lifestyle it would seem that they take this practice to heart, as many of their actions are determined by their perception of the flow of Eywa, the flow of qi, both within and out of themselves.
This position is also shared by Evelyn Tucker who writes that “there is the need for both discernment to practice virtue and discrimination to explore nature; they are part of a single continuum of sustained effort [that is] generated [to] expand the human mind-and-heart to embrace the larger society, the natural world, and the universe itself” (66). Not only does Tucker place additional emphasis on exploring and tapping into the energy of nature, but she also brings up the concept of mind-heart, which has a place in the Na’vi philosophy of Eywa. Tribe members say to each other, “oel ngati kameie” or “I see you.” When one says this to another, one is stating that one sees all that the other is – all that he believes and knows, all the energy that composes him. Essentially, one is saying that one recognizes the other’s mind-heart and the other’s qi.
Karen Lai states that “Chinese thought places emphasis on observations of the concrete phenomenal world as the basis of reflection” (213). This sentiment differs slightly from the more metaphysical conceptions of qi or Eywa which dominate Na’vi philosophy, but still plays into their culture. The Na’vi are very much in touch with the phenomenal world, but this relationship is overseen and determined by the will of Eywa, by the flow of the energy. This marriage of the phenomenal and metaphysical is most clearly illustrated by the literal physical connectedness of the Na’vi to their land; each Na’vi is endowed with a “queue,” a small collection of tendrils which allows them to form a physical and spiritual bond with the other living beings on Pandora. This bond can be seen as a flowing of qi from one creature to another, a physical manifestation of a metaphysical concept.
Life & DeathThe Na’vi culture observes death in a very solemn, peaceful, and comforting manner. While they recognize that in death, the body dies, they observe that the energy of the spirit returns to the collective energy of the world. The film’s protagonist, Jake Sully, a human observing the Na’vi culture for the first time, is given the opportunity to attend a Na’vi burial ritual. Following this ritual, he reports a simplified summary of the Na’vi understanding of life and death: “They see a network of energy that flows through all living things. They know that all energy is only borrowed, and one day you have to give it back” (Cameron 80). Within this short explanation, Sully relates the Na’vi sentiment that life is a finite event dependant on a spiritual energy which sustains us. Related ArticlesOn Topic These keywords are trending in Film and CinemaCalling All College Students!We know how hard you've worked on your school papers, so take a few minutes to blow the dust off your hard drive and contribute your work to a world that is hungry for information.It's a good feeling to see your name in print, and it's even better to know that thousands of people will read, share, and talk about what you have to say. Recommended Reading:Share This Article:About Student Pulse:Student Pulse helps undergrads, graduate students, and recent graduates from a wide range of academic disciplines publish their work for the benefit of a global audience. Representing the work of students from hundreds of institutions around the globe, Student Pulse's large database of academic work is completely free. Learn more » To find out about publishing your work in Student Pulse, please visit our Submissions page. Follow Us on the Web: |

