Female writers of the Eighteenth Century often focused on the role of the female imagination in novel writing, poetry composition, and as an outlet for temporarily escaping a harsh world. In Maria, or The Wrongs of Woman, Mary Wollstonecraft focused mostly on...
Read Article »
In the past two-hundred or so years, vampires have transformed from a sort of worst nightmare into the charming hero of our dreams. Flashback to 1734, Oxford English Dictionary’s first record of the word vampire: they were generally and, depending on geographical...
Read Article »
In
Mary Shelley’s Frankenstein, the author characterizes each woman as passive, disposable and serving a utilitarian function. Female characters like Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters...
Read Article »
It is tempting to classify literary, cinematic, and historical characters into groups. The trouble of course, is that such labels can be misleading at best, and severely subjective and variable. When using terms such as hero, villain, anti-hero, anti-villain, or adventurer...
Read Article »