The Development of Theatre: Peter Brook and the Human Connection

By Sawyer A. Theriault
2009, Vol. 1 No. 12 | pg. 2/2 |

Brook forgot convention, and aimed to go beyond anything that audiences had already experienced. He changed, and not without controversy, the effect that the theatre can produce. In his own words, he attempted to “divide the eternal truths from the superficial variations” (Brook, 16): The “eternal truths” being the “invisible”–the inherent emotions in any human–and the “superficial variations” being the way in which to present those truths. “I can take any empty space and call it a bare stage,” Brook says, “A man walks across this empty space while someone else is watching him, and this is all that is needed for an act of theatre to be engaged” (Brook, 9). Thus he creates something honest: a human connection. And from that connection the audience's inner emotions are called forth–they are moved.

Aronson, Arnold. New York Times. NY Times, 25 May 2005. Web. 1 Dec. 2009. .

Barnes, Clive. "Historic Staging of a Dream." New York times [New York] 27 Aug. 1970. Print.

Brook, Peter. The Empty Space. New York: Simon and Schuster, 1968. Print.

Kramer, Andreas. "Antonin Artaud." Ebsco Host. Web. 1 Dec. 2009.

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